GA — 000 / PFree
Color FilmContrasty grain
House style
A generic color film look, contrasty, with pronounced grain.
Presets
Each preset has its own page: the modules it sets and why, before/after measurements on RAW files, and its known limits. Hover or tap a frame to see the photo before the preset.
All presets
Color negative
GA — 005 / P
KodakPortra 160
Color negative
Quieter than the 400: muted colors, neutral highlights, very fine grain.
- ISO
- 160
- Process
- C-41
GA — 004 / P
KodakPortra 400
Color negative
Soft and pastel, with warm skin tones that stay natural.
- ISO
- 400
- Process
- C-41
GA — 006 / P
KodakPortra 800
Color negative
Warmer and richer than the 400: golden skin, full reds and yellows.
- ISO
- 800
- Process
- C-41
GA — 007 / P
KodakEktar 100
Color negative
Saturated reds and blues, skin that leans red, firm shadows.
- ISO
- 100
- Process
- C-41
GA — 008 / P
KodakGold 200
Color negative
Warm and golden, with grain you notice without it taking over.
- ISO
- 200
- Process
- C-41
GA — 009 / P
KodakUltraMax 400
Color negative
Consumer warmth with clear, cyan-leaning skies and firm contrast.
- ISO
- 400
- Process
- C-41
GA — 010 / P
FujifilmSuperia X-TRA 400
Color negative
A cool palette: cyan-leaning blues, clean greens, a touch of magenta.
- ISO
- 400
- Process
- C-41
GA — 002 / P
FujifilmPro 400H
Color negative
Soft and slightly cool: pinker skin, greens that lean cyan.
- ISO
- 400
- Process
- C-41
GA — 011 / P
HarmanPhoenix 200
Color negative
Hard contrast, coarse grain and a red halo around bright edges.
- ISO
- 200
- Process
- C-41
GA — 029 / P
KodakColorPlus 200
Color negative
Warm, slightly muted color with orange-leaning reds, discreet blues and moderate contrast.
- ISO
- 200
- Process
- C-41
No published datasheet
GA — 034 / P
FujifilmReala 100
Color negative
Faithful color with deeper blues, natural skin and moderate contrast, in the spirit of a portrait film.
- ISO
- 100
- Process
- C-41
GA — 035 / P
ORWOWolfen NC500
Color negative
Muted colors, a green-yellow cast, shadows that fall off fast and coarse grain.
- ISO
- 400
- Process
- C-41
No published datasheet
GA — 036 / P
LuckyC200
Color negative
Saturated reds and greens, restrained blues, a faint magenta drift and firm contrast.
- ISO
- 200
- Process
- C-41
No published datasheet
GA — 037 / P
LomographyColor Negative 400
Color negative
Firm contrast, fuller blues and greens, a light warm cast and visible grain, between vivid and muted.
- ISO
- 400
- Process
- C-41
No published datasheet
GA — 049 / P
FujifilmNatura 1600
Color negative
Natural, lively color with raised blacks, a light green cast in the shadows and marked grain.
- ISO
- 1600
- Process
- C-41
GA — 050 / P
FujifilmPro 160NS
Color negative
Soft, slightly restrained pastel palette with natural skin, fresh greens and very fine grain.
- ISO
- 160
- Process
- C-41
GA — 051 / P
FujifilmSuperia 200
Color negative
Vivid reds and blues, blue-green shadows, slightly pink skin and moderate grain.
- ISO
- 200
- Process
- C-41
GA — 052 / P
KodakRoyal Gold 200
Color negative
Warm skin, reds toward orange, a light golden cast and fine grain.
- ISO
- 200
- Process
- C-41
GA — 053 / P
KodakPro Image 100
Color negative
Warm, saturated ISO 100 negative look with marked reds, discreet blues and fine grain.
- ISO
- 100
- Process
- C-41
No published datasheet
GA — 054 / P
HarmanPhoenix II 200
Color negative
Toned-down Phoenix: firm contrast, pastel-leaning color, faint halation, marked but finer grain.
- ISO
- 200
- Process
- C-41
GA — 055 / P
ORWOWolfen NC200
Color negative
Warm, medium-low contrast with muted blues, present greens, visible grain and a light red halation.
- ISO
- 200
- Process
- C-41
No published datasheet
GA — 056 / P
AgfaVista 200
Color negative
Saturated, fairly contrasty color negative look with dense reds, deep blacks and fine grain.
- ISO
- 200
- Process
- C-41
GA — 057 / P
KonicaCenturia 400
Color negative
Medium contrast, frank blues and greens, natural skin and visible grain; a cautious take on a discontinued film.
- ISO
- 400
- Process
- C-41
GA — 058 / P
AgfaUltra 100
Color negative
Very saturated color negative look: vivid reds and blues, deep blacks, fine grain.
- ISO
- 100
- Process
- C-41
Cinema
GA — 012 / P
CineStill800T
Cinema
Cool, restrained colors and a red-orange halo around highlights.
- ISO
- 800
- Process
- C-41
GA — 013 / P
KodakVision3 250D
Cinema
A lab scan of motion picture negative: long, flat curve, dense colors.
- ISO
- 250
- Process
- ECN-2
GA — 030 / P
KodakVision3 500T
Cinema
Deeper blacks, denser color and blue-teal shadows on a daylight scene; no halation, no tungsten balance.
- ISO
- 500
- Process
- ECN-2
GA — 031 / P
KodakVision3 50D
Cinema
Accurate daylight color and very fine grain; firmer curve than the 250D style, denser greens and blues.
- ISO
- 50
- Process
- ECN-2
GA — 032 / P
KodakVision3 200T
Cinema
Soft ECN-2 scan look: pastel cyan-leaning blues, slightly golden skin, very fine grain.
- ISO
- 200
- Process
- ECN-2
GA — 033 / P
KodakVerita 200D
Cinema
Steeper curve, deep blacks, frank colors and warm skin, with a faint magenta lean in the highlights.
- ISO
- 200
- Process
- ECN-2
GA — 027 / P
CineStill400D
Cinema
Flat curve, pastel color, warm skin and a discreet red-orange halation around bright highlights.
- ISO
- 400
- Process
- C-41
No published datasheet
Slide
GA — 014 / P
FujifilmVelvia 50
Slide
Extreme saturation and blues that lean toward indigo.
- ISO
- 50
- Process
- E-6
GA — 015 / P
FujifilmProvia 100F
Slide
The neutral slide film: faithful color with slide contrast.
- ISO
- 100
- Process
- E-6
GA — 016 / P
FujifilmAstia 100F
Slide
A soft slide film for portraits: gentle contrast, natural skin.
- ISO
- 100
- Process
- E-6
GA — 017 / P
KodakEktachrome E100
Slide
Clean, neutral to slightly cool, with crisp blues.
- ISO
- 100
- Process
- E-6
GA — 038 / P
FujifilmVelvia 100
Slide
Very saturated slide look: electric blues, strong contrast, dark blacks and a faint magenta bias.
- ISO
- 100
- Process
- E-6
GA — 062 / P
KodakEktachrome E100VS
Slide
Very saturated slide look, warmer than Velvia, with strong reds and yellows and marked contrast.
- ISO
- 100
- Process
- E-6
GA — 063 / P
AgfaCT Precisa 100
Slide
Deep blues, a slight warmth and moderate slide contrast, with fine grain and less vivid greens.
- ISO
- 100
- Process
- E-6
GA — 064 / P
FujifilmProvia 400X
Slide
Saturated but realistic slide look: firm blues, denser greens, neutral grays, fine visible grain.
- ISO
- 400
- Process
- E-6
Black and white
GA — 003 / PFree
KodakTri-X 400
Black and white
Documentary black and white: contrasty, with honest grain.
- ISO
- 400
- Process
- B&W
GA — 019 / P
KodakT-Max 400
Black and white
Modern and sharp: a straight curve, open shadows, fine T-grain.
- ISO
- 400
- Process
- B&W
GA — 001 / P
IlfordHP5 Plus
Black and white
A classic 400, softer than Tri-X, with open shadows.
- ISO
- 400
- Process
- B&W
GA — 020 / P
IlfordFP4 Plus
Black and white
Fine grain and a smooth, classic tonal scale.
- ISO
- 125
- Process
- B&W
GA — 021 / P
IlfordPan F Plus 50
Black and white
Deep blacks, bright whites and almost no grain.
- ISO
- 50
- Process
- B&W
GA — 022 / P
IlfordDelta 3200 Professional
Black and white
The pushed look: heavy grain, blocked shadows, held highlights.
- ISO
- 1000
- Process
- B&W
GA — 023 / P
FujifilmNeopan 100 Acros II
Black and white
Very fine grain; less blue-sensitive, so blues render darker.
- ISO
- 100
- Process
- B&W
GA — 024 / P
FomaFomapan 100 Classic
Black and white
Strong contrast, crushed blacks, a look from another era.
- ISO
- 100
- Process
- B&W
GA — 042 / P
IlfordDelta 400 Professional
Black and white
Fine, even grain, deep blacks and held highlights, with slightly more contrast than HP5 Plus.
- ISO
- 400
- Process
- B&W
GA — 043 / P
IlfordXP2 Super
Black and white
Soft gray black and white with gentle midtones, rolled-off highlights and very fine grain.
- ISO
- 400
- Process
- C-41
GA — 044 / P
KentmerePan 400
Black and white
Soft-contrast black and white with lifted blacks, held-back whites and visible grain.
- ISO
- 400
- Process
- B&W
No published datasheet
GA — 045 / P
FomaFomapan 400 Action
Black and white
Contrasty black and white with slightly lifted blacks, bright highlights and visible grain.
- ISO
- 400
- Process
- B&W
GA — 046 / P
KodakDouble-X 5222
Black and white
Neutral gray with rich blacks, medium contrast and visible cubic-style grain, from a cinema negative curve.
- ISO
- 250
- Process
- B&W
GA — 047 / P
KodakT-Max 100
Black and white
Clean black and white with very fine grain, light blue skies and darker skin, in soft, open contrast.
- ISO
- 100
- Process
- B&W
GA — 048 / P
FomaFomapan 200 Creative
Black and white
Soft-contrast black and white with open shadows, rounded highlights and moderate grain.
- ISO
- 200
- Process
- B&W
GA — 067 / P
KodakPlus-X 125
Black and white
Soft-toed black and white with moderate contrast, open highlights and very fine grain.
- ISO
- 125
- Process
- B&W
Instant
GA — 025 / P
PolaroidColor 600 / i-Type
Instant
Raised blacks, creamy highlights and a warm cast.
- ISO
- 640
- Process
- instant
GA — 065 / P
FujifilmInstax Mini
Instant
High contrast, short latitude, vivid reds and greens, darker blues, near-neutral cast.
- ISO
- 800
- Process
- instant
No published datasheet
GA — 066 / P
PolaroidB&W 600 / i-Type
Instant
Contrasty instant black and white with a raised black point, highlights under white and a faint warm tint.
- ISO
- 640
- Process
- instant
No published datasheet
Effects
GA — 026 / P
LomographyLomoChrome Purple
Effects
Greens turn purple, blues turn turquoise, yellows turn pink.
- ISO
- 100-400
- Process
- C-41
No published datasheet
GA — 039 / P
LomographyLomoChrome Turquoise
Effects
False-color look: blue skies turn orange, skin and warm tones turn blue, greens turn turquoise.
- ISO
- 100-400
- Process
- C-41
No published datasheet
GA — 040 / P
LomographyLomoChrome Metropolis
Effects
Muted, low-saturation color with hard contrast, deep blacks and coarse grain; reds stay strongest.
- ISO
- 100-400
- Process
- C-41
No published datasheet
GA — 041 / P
LomographyLomoChrome Color '92
Effects
Muted pastel color, soft lifted blacks and heavy grain, for a 1990s snapshot look.
- ISO
- 400
- Process
- C-41
No published datasheet
GA — 059 / P
HarmanRed 125
Effects
Redscale look: deep red shadows, orange midtones, yellow highlights, strong contrast.
- ISO
- 125
- Process
- C-41
No published datasheet
GA — 060 / P
LomographyRedscale XR 50-200
Effects
Red-orange cast with lifted, muddy blacks, low contrast and visible grain, redder in the shadows.
- ISO
- 50-200
- Process
- C-41
No published datasheet
GA — 061 / P
KodakAerochrome III 1443
Effects
Greens turn red-magenta, skies and sea go deep blue, contrast is steep, grain is fine.
- ISO
- 40 (aerial speed)
- Process
- AR-5 (E-6 by labs)
Two packs
New to darktable styles? Read Install and apply darktable styles first.
Free pack
2 presets$0
Direct download · no sign-up
- Color Film | Contrasty grain
- Inspired by Kodak Tri-X 400
- Public documentation for each preset
Full pack
67 presets$20
One-time payment · yours to keep
- Everything in the free pack
- ColorInspired by Kodak Portra 160, 400 and 800, Ektar 100, Gold 200 and UltraMax 400, Fujifilm Superia X-TRA 400 and Pro 400H, Harman Phoenix 200
- CinemaInspired by CineStill 800T and Kodak Vision3 250D
- SlideInspired by Fujifilm Velvia 50, Provia 100F and Astia 100F, Kodak Ektachrome E100 and Kodachrome 64
- B&WInspired by Kodak T-Max 400, Ilford HP5 Plus, FP4 Plus, Pan F Plus 50 and Delta 3200, Fujifilm Acros 100 II, Fomapan 100 Classic
- InstantInspired by Polaroid Color
- EffectInspired by LomoChrome Purple
- Upcoming presets on the roadmap: color, B&W, slide, cinema, rarer brands